Producers the Matrix discuss their work on upcoming LP, tentatively due in the spring.
By Gil Kaufman
It's been awhile since the production trio known as the Matrix worked on such a highly anticipated album. But that will change this spring when Tokio Hotel release the follow-up to their English language breakthrough album, Scream. The yet-untitled album is being co-produced by the pop songwriters/producers best known for their work with Avril Lavigne, Christina Aguilera, Britney Spears and Korn.
"We're in the middle of working on the Tokio Hotel record right now," Matrix member Lauren Christy said Tuesday, the same day the collective's long-lost album featuring a then-unknown singer by the name of Katy Perry dropped on iTunes. "We've done eight songs for that record ... and I love the singer's voice and the fact that they play their own instruments. They're a real band, and they're very dark. They're this almost-perfect, gorgeous-looking band but with music that's very dark."
So far, Christy said the German group has laid down tracks at two different Los Angeles studios with the Matrix and with their own in-house production team over the past few months, with a mix that includes very "strong, anthem-y" songs with a dark edge and "lots of guitars."
Fellow Matrix producer Scott Spock said the sessions have been one of the most exciting and enjoyable of his career. "We've worked with so many different people, and when you get into a room where magic just starts happening ... it makes everything really fun," he said, comparing the spark to the one he felt working with Lavigne and Korn. "It's the same experience with Tokio Hotel. ... They are all really talented and can write and play, and they're the real deal."
Spock said he can't recall the last time he worked with a singer who had as much star quality as TH leader Bill Kaulitz. "The music business really needs Tokio Hotel right now," Spock said. "They're reviving that image of what a rock star is. ... Their writing has developed massively, and we're experimenting a bit with some Depeche Mode influence. ... It doesn't sound like anything else out there right now. People don't want to hear a bunch of 808s and Auto-Tuned vocals. They want the real stuff."
Christy added that one of the other things she's grown to love about the rockers is their strong sense of identity, one that seems impervious to the Matrix's tendency toward a big, bright pop sound. "The band is so aware of what they are, and when you have an artist that's that strong, you can't pull them and homogenize them and make them sound like they're not. They're very opinionated about what they want."
That strong sense of self has made it easier to work with the guys as they try to introduce some more American rock styles to their sound, Spock said, while working hard not to lose that unique essence that has made them worldwide stars already. "The push and pull between the camps has been great," he said. "And I think the album will be great because of that. I'm going to look back on this in 10 years and say, 'Wow, I worked with Tokio Hotel!' "
Christy said TH came to the Matrix because they really liked the ballad they'd co-written with Avril Lavigne, "I'm With You," as well as their production on Korn's See You on the Other Side album.
"They like the sadness of that song and were really touched by it," she said of the Lavigne tune. "They like the Korn records too, but they said, 'We wouldn't do that, but it's really good. But it's not truthful to us as a band.' " So far, the Matrix have been co-writing all the songs they've worked on with TH for the album, and at press time, Scott said they had completed work on six of those tunes.
The album is tentatively due in late spring, according to Christy; a spokesperson for TH's label could not be reached for comment at press time. "Their confidence in knowing exactly who they are and what they're doing, given how youthful they are, is amazing," Spock said. "They definitely bring the dark side of the pop song, not like a Lamb of God record but with rock influences that will cross over to so many different kids ... and even some adults."
In addition to the TH album, Christy said the Matrix have been grinding away on Korn singer Jonathan Davis' solo debut, an album by "iCarly" star Miranda Cosgrove, the next Ashley Tisdale CD and the soundtrack to the rebooted "Fame."
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"Hace tiempo que el trío de produción conocido como "The Matrix" no trabajan en un album con una anticipacion tan grande.
Pero esto cambiara esta primavera, cuando Tokio Hotel saque el sucesor de su album Scream. El album, todavia sin titulo, esta siendo co-producido por los compositores de pop, conocidos por su trabajo con Avril Lavigne, Christina Aguilera, Britney Spears y Korn.
"Ahora mismo estamos en el ecuador del album de Tokio Hotel" Dijo el miembro de Matrix Lauren Christ".
"Hemos hecho 8 canciones para este trabajo, y adoro la voz del cantante y el hecho de que ellos mismos toquen sus instrumentos. Son una banda de verdad, y son muy oscuros.
Son casi perfectos, un look elegante pero a la vez con una musica oscura."
Hasta ahora, Christy dijo que la banda alemana ha grabado canciones en dos estudios diferentes, en LA con "The Matrix" y con su propio equipo de produccion en los ultimos meses, con un mix que incluye duros himnos, canciones con un lado oscuro y muchas guitarras.
El productor de Matrix , Scott Spock dijo que las sesiones han sido unas de las mas emocionantes y divertidas de su carrera. "Hemos trabajado con mucha gente distinta, y cuando entras en una habitacion donde la magia simplemente empieza... Todo se vuelve realmente divertido" Dijo, comparando la "chispa" con la que sintio trabajando con Lavigne y Korn. "Es la misma experiencia con Tokio Hotel... Tienen muchísimo talento y pueden escribir y tocar también."
Spock dijo que no puede recordar la última vez que trabajó con un cantante con tanta "cualidad de estrella" como el líder de TH Bill Kaulitz. "El negocio de la musica realmente necesita a Tokio Hotel ahora mismo" Dijo Spock "Estan reviviendo esa imagen de lo que es una estrella del rock. .. Su forma de escribir se ha desarrollado muchisimo, y estamos experimentando un poco con algo de influencia de Depeche Mode. ... No suena como ninguna otra cosa de las que hay ahi fuera ahora mismo. La gente no quiere escuchar un montón de voces Auto-tuneadas. Quieren cosas de verdad"
Christy añadió que una de las cosas que adora de los rockeros es ese sentido de la identidad tan fuerte, que parece impermeable a la tendencia de The Matrix frente a un sonido tipo pop. "La banda es muy consciente de lo que son, y cuando tu tienes un artista que es tan fuerte, no puedes modificarles y hacerles homogéneos para que suenen como algo que no son. Estan muy seguros de lo que quieren"
Este sentido de si mismo tan fuerte ha hecho que trabajar con los chicos sea mas fácil cuando intentan introducir algo de estilo de rock americano en sus canciones, dijo Spock, mientras se trabaja duro para no perder esa esencia única que ya les ha convertido en estrellas mundiales"Creo que el album va a estar muy bien.. Dentro de 10 años miraré al pasado y diré: ¡Wow, he trabajado con tokio hotel!" dijo.
Christy dijo que TH recurrió a the Matrix porque les gustaba la balada en la que han colaborado con Avril Lavigne "Im with You", así como su producción en el album de Korn "see you on the other side".
"Les encanta la tristeza de esa cancion y les ha llegado hondo" dijo del tema de Avril Lavigne. "También les gustan la canciones de Korn, pero dijeron -No haríamos algo así, aunque esta realmente bien, pero no nos es fiel como grupo."
Hasta ahora, the Matrix han estado co-escribiendo todas las canciones en las que han trabajado con Tokio Hotel para el album, y en la rueda de prensa, Scott dijo que ya habian terminado seis de estos temas.
El album estara supuestamente a finales de la primavera, por lo que dice Christy; El representante del sello de TH no comentó nada a la prensa.
"Su confianza en saber exactamente quienes son, y lo que estan haciendo, es alucinante teniendo en cuenta lo jovenes que son" dijo Spock. "Ellos otorgan el lado oscuro de una cancion pop, no como el registro de Lamb of God (cordero de Dios) sino con influencias de rock que gustarán a jóvenes.. E incluso a algunos adultos"
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